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The Living End shot on and off over four months, allowing the actors with jobs to keep working since the film couldn't afford to pay them.
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Rodriguez went to Los Angeles to sell the film to a Spanish-language video company in December. They were each able to assemble and get the most out of a dedicated cast and crew.
I got two or three songs from each one. I would have enough films to fill my own cable network.
In the cases of Laws of Gravity and The Living End, this was a single print that could go to festivals and attract a distributor. I would have enough films to fill my own cable network.
A lot of takes would have been blown due to unexpected drivebys, noises, and all the things that usually blow a sound take, which I noticed more when it came time to record the sound. All three films used festivals skillfully. I wanted to be in the film department for the free equipment.
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We then wrote on verse, and that was all we needed for the movie. While Rodriguez kept waiting for the home video company to finish the paperwork to acquire U. He had to laboriously sync it again, and then edit it by continually comparing it to the cassette.
He had to laboriously sync it again and then edit it by continually comparing it to the cassette. Columbia also paid for subtitling and a 35mm blow-up. Can I get in the department now? After his father bought an early model VCR and camera, he started making video shorts.
Total Cost of Getting the Film in Can: Columbia also paid for subtitling and a 35mm blow up.
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