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Connect two of the send outs hopefully you have 2 directly to the soundcard. Active monitors may not have that and your monitors may occasionally blast you with full volume that's loud! There is no way to separate the signal.

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Try the Tape, try the line ins, try the aux returns, try turning software monitoring off. You simply press the ALT button often the "mute" button to send the channel to the soundcard.

If you have multimedia speakers it's not so bad because there is a volume control on the speakers.

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This works sometimes but often will not allow you to monitor your hardware synths playing back MIDI. The good thing about having a 24 ch mixer with Mix B and a 24 io is that you have unmatched flexibility for a home studio. When a cable is connected to the direct out jack, the signal from that channel goes down it and is removed from the rest of the mixer.

One of these 6 possibilities usually works. You can use the headphone jack and this will keep the studio quiet and the recording clean.

First with a cheap mixer which I don't recommend and second, with a mixer with an alt bus or direct outs required if you are serious!

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You can monitor your external MIDI synths and modules without recording them to audio and when you want to record them to audio it's just a button press away. Here's nmodi's famous pic my eternal thanks for his graphic wizardry Two Way Communication Mixer to Soundcard AND Soundcard to Mixer with Direct Outs or Inserts Simply connect the direct out on the channel you want to record to the soundcard's line input.

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Do you absolutely have to have 8 busses? The easy way here is to simply take your bus outs and connect them to the 's 8 line inputs. That is, it goes out, but does not go through. Or if you want you could use busses, which will allow you to group channels and send them to the DAW as a stereo submix, always a cool thing to do.

You can adjust the level of your monitors from the mixer.

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You can sometimes use inserts to function as direct outs by inserting the Classification essay thesis statement in "halfway" to the first click. Its just for those times when you need to record 24 tracks in one pass that you need an appropriately large mixer and audio interface.

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That's all you do. On your mic channel, when you want to record, turn up the send on that channel so the signal goes to the soundcard. If you still have feedback you might use the TAPE inputs on the mixer. This is where the 24 ch 8 bus with Mix B boards come in handy.

Here's some better ways.

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Here you could use any combination of busses, sends and direct outs going to the DAW and you could monitor the 16 outs of the DAW on channels, aux returns, or even tape inputs. You then route the ,'s 8 line outputs to channels of the mixer.

The cheaper mixers do not This pic, from a Soundcraft M12 which has no conventional busses shows the direct outputs and inserts at the top of the mixer. You should be getting an idea of the flexibility that you have. You then connect your speakers to the line outs of the audio interface or soundcard.

Lets say you have a MOTU 24io with 24 ins and 24 outs.

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If you are just using soft synths this is not a problem. The soundcard line out connects to any two available line inputs. You could also route the cables from the soundcard to the tape in jacks. Note that you can send both channels back to the mixer.